Trained Greylag Geese for Film and Television
Our team of greylag geese are hand-raised by Rose and fly beautifully alongside a car or boat.
What trained geese can do on camera
Our team of greylag geese are hand-raised by Rose and fly beautifully alongside a car or boat. That is the shot: the camera moving at the same speed as the birds, holding them in frame, wingbeat by wingbeat.
Tracking flight from a moving vehicle is one of the hardest things to achieve in wildlife filming, and it is one of the sequences we are best known for.
What to think about
This work needs the right road or the right stretch of water, a vehicle that can hold a steady speed, and time. It also needs a conversation about safety and permissions well before the shoot day. Talk to us early and we will tell you what the location has to provide.
Common questions
Can we film on our own location?
Often, but not always. Some locations will not give you the shot whatever bird you put in them — the sightlines, the light, the wind or the space are simply wrong. Send us the location, ideally with photographs, before you lock it. It costs nothing and it has saved productions a great deal.
How much notice do you need?
It depends entirely on the sequence. A perched shot, or a straightforward flight to the hand, needs far less lead time than a choreographed sequence built around a specific action. Complex work is measured in months rather than weeks. Ask us early and we will give you a straight answer.
Will the bird work close to actors and presenters?
This is a large part of what we do, and it is the reason the birds are raised and flown by us rather than sourced in. Tell us what the contact needs to be — a hand, a shoulder, a glove, a look — and we will tell you what is realistic with the geese and how long it would take to prepare.
Do you travel?
Yes. Our birds have filmed across the UK and abroad, from the Scottish moors to Arco in Italy.
Is the flying real, or is it done in post?
Real. The birds fly in real time, at full speed, to camera. Nothing is slowed down, and nothing is composited.
Planning a shoot
Every job starts the same way. Tell us what you are trying to film and we will tell you honestly whether it is possible, and how — including when the answer is no.
Our birds are raised and flown by Lloyd and Rose themselves, which is what makes calm, close work with actors and presenters possible. They fly in real time rather than being slowed down afterwards. The birds’ welfare comes first on every job.
Some sequences can be set up quickly. Others cannot — the goshawk work for H is for Hawk took fifteen months of daily preparation before a camera turned. The earlier you bring us in, the more you will get.
Working with us
Tell us what you are trying to film and we will tell you honestly whether it is possible, and how.