Trained Pigeons for Film and Television
Podge and Blue are our highly trained pigeons and very choreographable.
What trained pigeons can do on camera
Podge and Blue are highly trained and very choreographable, and choreographable is the word that matters. A pigeon that will land on a specific mark, take off on a cue and repeat it take after take is worth more to a director than a more glamorous bird that will not.
Pigeons are also the correct casting for anything urban, period or everyday. They are the bird an audience expects to see in a street, a square, a station or a window.
What to think about
If a pigeon has to interact with an actor, land on a specific object, or hit a mark repeatedly, tell us the beat you need and we will build to it. That is exactly the kind of work these two are for.
Common questions
Can we film on our own location?
Often, but not always. Some locations will not give you the shot whatever bird you put in them — the sightlines, the light, the wind or the space are simply wrong. Send us the location, ideally with photographs, before you lock it. It costs nothing and it has saved productions a great deal.
How much notice do you need?
It depends entirely on the sequence. A perched shot, or a straightforward flight to the hand, needs far less lead time than a choreographed sequence built around a specific action. Complex work is measured in months rather than weeks. Ask us early and we will give you a straight answer.
Will the bird work close to actors and presenters?
This is a large part of what we do, and it is the reason the birds are raised and flown by us rather than sourced in. Tell us what the contact needs to be — a hand, a shoulder, a glove, a look — and we will tell you what is realistic with the pigeons and how long it would take to prepare.
Do you travel?
Yes. Our birds have filmed across the UK and abroad, from the Scottish moors to Arco in Italy.
Is the flying real, or is it done in post?
Real. The birds fly in real time, at full speed, to camera. Nothing is slowed down, and nothing is composited.
Planning a shoot
Every job starts the same way. Tell us what you are trying to film and we will tell you honestly whether it is possible, and how — including when the answer is no.
Our birds are raised and flown by Lloyd and Rose themselves, which is what makes calm, close work with actors and presenters possible. They fly in real time rather than being slowed down afterwards. The birds’ welfare comes first on every job.
Some sequences can be set up quickly. Others cannot — the goshawk work for H is for Hawk took fifteen months of daily preparation before a camera turned. The earlier you bring us in, the more you will get.
Working with us
Tell us what you are trying to film and we will tell you honestly whether it is possible, and how.